TRANSITIONS November 2023
The theme of my first solo show many years ago was “Transitions”. Even now that is an apt description of my process.
My initial carvings were of wood or stone animals with rounded forms and later transitioned to angular welded steel forms. My focus gradually turned to figurative sculptures, primarily female.
Bronze copies were made from molds of the original sculptures. I’ve been privileged to work the the best bronze foundries and professionals in the field.
The last few years I’ve been transitioning from cast bronzes to unique ladies of welded steel, bronze and stained glass. These new pieces take 2-3 months to complete.
The vibrant colors of stained glass fascinate me and I have wanted to incorporate it into my work for some time. It took over a year of online classes and experimentation to create a process that is uniquely mine. There is still much to learn: how a change of angle affects the intensity of color, the effects of combining different colors, as well as different techniques to incorporate glass and other metals into my work as well as exploring different subject matter.
My energy and resources are now directed in this new process, and as a result of this latest transition, I am not replacing bronze inventory, in fact all the molds have been broken. I do my best to keep the remaining inventory information current. Please contact one of my galleries if you have an interest in a sculpture.
ABOUT
I have always enjoyed watching people. Their posture and gestures give non-verbal cues about them. One can imagine what might be happening in their lives by watching how they walk, stand, hold their head and move their hands. These observations have found their way into my work.
Over 20 years ago I welded my first female figure out of steel rods and sheet metal. Since then it has been fascinating to explore ways to capture movement, emotion and the femininity of the female form with straight lines, angles, flat planes and texture. I am drawn to the strength, flexibility and luster of metal. As I work, cutting, hammering and welding, the personality of the subject emerges. I strive to impart a sense of inner strength and grace in my sculptures. Now I add stained glass to the forms for a unique effect.
I prefer ambiguity in my sculptures’ faces. I use planes and angles to portray the basic elements without individual characteristics. I hope this encourages the viewer to bring his or her experiences and interpretation to the sculpture.